2.214 file audio bebas royalti untuk "C Note"

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Aeolian mode on C. No pitch bend.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

Just major seventh chord on C (8:10:12:15).

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

C harmonic minor scale ascending and descending.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

Ninth augmented fifth chord on C.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Sonatina No. 1 in C Major - II. Andante by Aaron Dunn

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Etude no. 1, op. 10 in c major

A multi-purpose synth, c note, in 6 different octaves.

Bad guy/"Villian" motif/riff.

C-sharp melodic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

Neapolitan minor scale on C - as MIDI

C♯ natural minor scale ascending and descending.

Schubert Quartett-Satz in C minor, opening bars

Recorded and performed instrumentally by the U.S. Navy Band and featured on the 2006 album World Class Marches.

Sonatina No. 1 in C Major - I. Allegro by Aaron Dunn

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

Alternate augmented ninth chord on C.

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Algerian scale. No pitch bend.

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

Bach C minor Passacaglia ground bass

Étude Op. 25, No. 12 — allegro con fuoco.

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

Dominant eleventh chord in four-part writing.

Pythagorean diatonic scale on C. + indicates the syntonic comma.

5-tet scale on C. Pitch bend matches intervals.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Thirteenth chord CMA13(sharp11).